![]() Sing, O goddess, the accursèd wrath of Achilles, son of Peleus, the wrath which brought countless sorrows unto the Achaians Sing, O goddess, the anger of Achilles son of Peleus, that brought countless ills upon the Achaeans.Įarly 20th century (1901–1925) Translator ![]() Goddess, sing the destroying wrath of Achilles, Peleus' son, which brought woes unnumbered on the Achæans, Sing, O goddess, the fatal wrath of Peleus' son Achilles, which brought ten thousand troubles on the Achæans, ![]() ![]() Paida d' emoi lysaite philēn, ta d' apoina dechesthai,ġ6th and 17th centuries (1581–1700) Translatorĭisastrous, working Greece unnumbered woes, Hymin men theoi doien Olympia dōmat' echontesĮkpersai Priamoio polin, eu d' oikad' hikesthai: Stemmat' echōn en chersin hekēbolou ApollōnosĬhryseō ana skēptrō, kai lisseto pantas Achaious,Ītreidai te kai alloi euknēmides Achaioi, Lysomenos te thygatra pherōn t' apereisi' apoina, Nouson ana straton orse kakēn, olekonto de laoi,Ītreidēs: ho gar ēlthe thoas epi nēas Achaiōn Lētous kai Dios huios: ho gar basilēi cholōtheis Tis t' ar sphōe theōn eridi xyneēke machesthai? Oiōnoisi te pasi, Dios d' eteleieto boulē,Ītreidēs te anax andrōn kai dios Achilleus. Hērōōn, autous de helōria teuche kynessin Pollas d' iphthimous psychas Aidi proiapsen ![]() Oulomenēn, hē myri' Achaiois alge' ethēke, ![]()
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![]() He has sworn to find and wed his mystery miss, but this breathtaking maid makes him weak with wanting her. Alas, she knows all enchantments must end when the clock strikes midnight.Įver since that magical night, a radiant vision in silver has blinded Benedict to the attractions of any other-except, perhaps this alluring and oddly familiar beauty dressed in housemaid’s garb whom he feels compelled to rescue from a most disagreeable situation. But now, spinning in the strong arms of the debonair and devastatingly handsome Benedict Bridgerton, she feels like royalty. Sophie Beckett never dreamed she’d be able to sneak into Lady Bridgerton’s famed masquerade ball-or that “Prince Charming” would be waiting there for her! Though the daughter of an earl, Sophie has been relegated to the role of servant by her disdainful stepmother. Will she accept his offer before the clock strikes midnight? ![]() ![]() ![]() ![]() ![]() No matter if you’re already a huge fan of historical fiction, or you’re just checking out the genre for the first time, you’ll surely find something to love on this list. The novels on the list below reflect a wide range of periods and figures, including famous authors, military figures, explorers, royalty, and more. Most readers prefer one or the other, but we aren’t picking favorites here. If you’re just dipping your toes into historical fiction for the first time, you’ll find that the genre can be divided into two very broad categories: those that religiously adhere to historical accuracy, and those that play around in history’s sandbox.īooks in the latter category might be alternate histories, titles that speculate on history’s mysteries, or those that take a Baz Luhrmann-style approach to their subjects. The list below contains 20 of the best historical novels about real people, from underappreciated releases to New York Times bestsellers, so you can check out all that this subgenre has to offer. ![]() ![]() ![]() ![]() ![]() And inside, Reena is flipped upside down. He says hi, acts exactly the same, like it's nothing that he's back. I loved this book!It starts off when Reena casually runs into Sawyer at the store. It's definitely my favorite of the year so far and I can already tell that it'll make my Best of 2014 list when the end of the year rolls around. How to Love was a touching and refreshing story, alternating between two equally riveting perspectives. After everything that’s happened, can Reena really let herself love Sawyer LeGrande again? In this breathtaking debut, Katie Cotugno weaves together the story of one couple falling in love-twice. Reena doesn’t want anything to do with him, though she’d be lying if she said Sawyer’s being back wasn’t stirring something in her. But just as swiftly and suddenly as he disappeared, Sawyer turns up again. Reena’s gotten used to being without Sawyer, and she’s finally getting the hang of this strange, unexpected life. But then Sawyer disappears from their humid Florida town without a word, leaving a devastated-and pregnant-Reena behind.Īfter: Almost three years have passed, and there’s a new love in Reena’s life: her daughter, Hannah. Reena and Sawyer fall in messy, complicated love. But he’s never seemed to notice that Reena even exists…until one day, impossibly, he does. Before: Reena Montero has loved Sawyer LeGrande for as long as she can remember: as natural as breathing, as endless as time. ![]() ![]() ![]() ![]() Standpoint feminism makes the case that, because women's lives and roles in almost all societies are significantly different from men's, women hold a different type of knowledge. Hence, a feminist standpoint is essential to examining the systemic oppressions in a society that standpoint feminists say devalues women's knowledge. ![]() Hartsock argued that a feminist standpoint could be built out of Marx's understanding of experience and used to criticize patriarchal theories. As theorized by Nancy Hartsock in 1983, standpoint feminism is founded in Marxism. She founded feminist standpoint theory, which looked at the social world from the perspectives of women in their everyday worlds and the ways in which women socially construct their worlds. As a feminist inspired by Karl Marx, Smith turned her attention to the development of "a sociology for women". ![]() Overview ĭorothy Smith, teaching at University of California, Berkeley, when the women's movement was in its early stages, looked at the experience of female academics and began to ask about life stories of these women. A feminist or women's standpoint epistemology proposes to make women's experiences the point of departure, in addition to, and sometimes instead of men's. Patricia Hill Collins and Dorothy Smith) say that they are better equipped to understand some aspects of the world. Standpoint feminism is a theory that feminist social science should be practiced from the standpoint of women or particular groups of women, as some scholars (e.g. ![]() ![]() “I’m also attacking gentrification, which becomes a boogeyman. “Who gets to speak for community? And how do you do good community development in a Black neighborhood that's been ravaged by racist policies and overall disinvestment for decades? The play is also about much more than reproductive rights, Moore says. “Natalie’s play holds up a crucial mirror to American society, helping us to face all sides of this topical issue.” “If ever there was a play that speaks to present-day events, this is it,” says The Billboard artistic director Jean Gottlieb. My goal with this piece of art was for people to leave the play having more questions than when they went in.” “Because there are various views represented about abortion in the play, now is the time for those conversations - and the listening - to happen. “These are conversations that need to be had,” says Moore. ![]() ![]() The play, produced in collaboration with GLP Productions, hits the stage June 25 at the new Virginia Wadsworth Wirtz Center for Performing and Media Arts in Abbott Hall on Northwestern’s Chicago campus. ![]() ![]() ![]() Please be aware that the delivery time frame may vary according to the area of delivery and due to various reasons, the delivery may take longer than the original estimated timeframe. ![]()
![]() ![]() His next work as a writer-director was American Graffiti (1973), inspired by his youth in the early 1960s Modesto, California, and produced through the newly founded Lucasfilm. Lucas wrote and directed THX 1138 (1971), based on his student short Electronic Labyrinth: THX 1138 4EB, which was a critical success but a financial failure. Lucas is considered to be one of the most significant figures of the 20th-century New Hollywood movement, and a pioneer of the modern blockbuster.Īfter graduating from the University of Southern California in 1967, Lucas co-founded American Zoetrope with filmmaker Francis Ford Coppola. His films are among the 100 highest-grossing movies at the North American box office, adjusted for ticket-price inflation. Lucas is one of history's most financially successful filmmakers and has been nominated for four Academy Awards. He served as chairman of Lucasfilm before selling it to The Walt Disney Company in 2012. Lucas is best known for creating the Star Wars and Indiana Jones franchises and founding Lucasfilm, LucasArts, Industrial Light & Magic and THX. ![]() ![]() (born May 14, 1944) is an American filmmaker. ![]() ![]() You should also add the template to the talk page.A model attribution edit summary is Content in this edit is translated from the existing Japanese Wikipedia article at ] see its history for attribution. You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation.If possible, verify the text with references provided in the foreign-language article. Do not translate text that appears unreliable or low-quality.Consider adding a topic to this template: there are already 3,435 articles in the main category, and specifying |topic= will aid in categorization. ![]() Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia.View a machine-translated version of the Japanese article. ![]() ![]() ![]() “The smooth, flat rocks were exactly the same, the sea pounded down on them in the same way, and also the landscape under the water, with its small valleys and bays and steep chasms and slopes, strewn with starfish and sea urchins, crabs and fish, was the same. ![]() ![]() “The name has always occupied a space between the concrete and the abstract, the individual and the social, but when it begins to be shaped and charged with meaning in places removed from the physical world, in that way entertaining the world of fiction, albeit unseen by the majority, at the same time as this fictional world is expanding and taking up an ever greater part of our lives - the TV screens are now not only in our own rooms, but also on the walls of our trains and under the luggage bins of our planes, in the waiting rooms of our doctors' offices and the halls of our banks, even in the supermarkets, quite apart from our carrying them around in the form of laptop computers and cell phones, in such a way that we inhabit two realities, one abstract and image-based, in which all kinds of people and places present themselves before us with nothing in common but being somewhere other than where we are, and one concrete, physical, which is the one we move around in and are more palpably a part of - when we arrive at a point where everything is either fiction or seen as fiction, the job of the novelist can no longer be to write more fiction.” ![]() |